April 7th, 2009

The first time I heard the music of Asher Roth was last summer in Chicago. I was visiting some friends from high school who had been listening to the Atlanta rapper’s mixtape for a few weeks. Kyle, Bryan, and John were as White as their names sounded, but one couldn’t let the Kappa soccer apparel, Maxim magazines, and beat-up New Balances fool you- these pot heads could talk rap shop with the best of them. “Deej” (my high school nickname deriving from my former Disc Jockey profession) ” Deej, you need to be up on Asher Roth” Brian exclaimed “He’s out of Atlanta and has DJ Drama and Don Cannon doing his mixtape. It’s called The Green House Effect. Shit’s tuuiight.” Sure enough, quicker than you could say Body Tap I was listening to the latest playlist on my former classmate’s itunes- a sound that took me by surprise and disappointment at the same time. After about two and a half songs I had made my opinion about Asher Roth. “He sounds like Eminem” I said nonchalantly “And he raps about as well as him. I’ll have to look out for him.” That was it. Not much more crossed my mind about the up and coming rapper.
Tonight I am watching Asher Roth perform in front of a packed Key Club. The MC has come up a great deal since I first heard his name back in Illinois. His music has graced millions of youtube and itunes eyes and ears since my buddy Brian first googled his name- and yes, he still sounds a lot like that other rapper. Yet despite the comparisons and potential shallow adversities that the Southern rapper could face, Asher Roth seems to carry a confident demeanor (and dare I say swagger?) in front of the Los Angeles crowd tonight. “Big ups to unprotected random sex” Roth shares openly, “I know I’m not trying to be in relationship yet so, until then…wrap it up.” Roth has been extremely open and sharing with the crowd tonight. His outgoing and relaxed stage presence fits his well structured and punch-line filled rhymes perfectly. He’s currently on a majority of radio’s top 100 playlist with his hit single “I love College” a musical bait that seems to be sticking with a lot of people. His execution of keeping the party going from city to city is doing wonders for him, shutting the mouths of doubters and fence riders (not ashamed to say) like my self.
The twenty-three year old’s focus on partying, weed, sex and drinking are laced well with the promotion of positive thinking, peaceful spirits, and even being conscious of what you eat. Roth spit an acapella verse detailing his choice on healthy eating habits and raising awareness to what we feed our youth-not just in the food sense- and being sure to maintain the mental and physical stability of one’s self. His set showed the multi-dimensional Roth, the charming, witty, fun, storyteller that you can’t find on a mixtape. Or maybe you can, but pompous shmucks like me don’t get past the two and a half songs.
Watching Asher perform is like seeing a group of college buddies hanging out on the ninth floor of the dorm. Onstage, he’s barefoot in jeans and a plain white tee, dancing around to some old school tunes, then busting out the old school dances that go along with those tunes (Asher and his band mates paused briefly in the set to break into the choreography for Candy Rain) – it was like being at the house party with all your drunk homies; kicking it and good times. He even had time to showcase his DJ and drummer, solos that brought down the house with the Humpty Dance and a cover of N.E.R.D.’s Spaz. Los Angeles received Asher with open arms.
Beating the stereotypes, critics, and haters are in Asher’s rearview. He’s an extremely talented rapper with a great lyrical gift. His spirit on stage appeals to any and everyone who watches him and his sincerity reflects that of a very wise and cool kid his age. Here’s a tip for those reading…keep him on your radar and don’t sleep on him. And a big thanks to Kyle, John, and Bryan for putting me on from day one.
A. Landon
www.loudvine.com
Tags: Asher, Asher Roth, Hip Hop Blog, Indie Music, indie music blog, Key Club, LA Music, LA Weekly, Live Music, Los Angeles, Los Angeles Music, Loudvine, Music Network, Roth, The Key Club, Weekly Los Angeles, Weekly Music, Weekly Picks Posted in Live Music and MP3 | No Comments »
April 6th, 2009
Another great week of live music in LA and Long Beach. Thanks for joining us! If you like what we’re trying to do, pass us along to your peeps
For every show in LA: Click Here
Monday: 4/6
Juliette Commagere, 9PM @ The Echo, Echo Park
Tuesday: 4/7
Electrocute, 9PM @ Spaceland, Silverlake
Decelis, 7PM, @ Hotel Cafe, Hollywood
Angela Wood, 10 PM @ Dakota Lounge, Hollywood
Wednesday: 4/8
The Bumpers, 9PM @ Mr. T’s, Highland Park
Tasso, 9PM @ Scene Bar, Glendale
Tall Tales, 9PM @ L’Keg, Echo Park
Thursday: 4/9
Bobb Bruno, 9PM @ The Smell, Echo Park
Del The Funky Homosapien, 9PM @ The Glass House, Pomona
Friday: 4/10
Dark Star Orchestra, 9PM @ El Rey, Los Angeles
The Amateurs, 9PM @ Pehrspace, Echo Park
Railcars, 10PM @ The Smell, Echo Park
Saturday: 4/11
B-Side Players, 9PM @ Saint Rocke, Hermosa Beach
Punk Rock Social, 9PM @ Alex’s, Long Beach
She Kills Robots, 9PM @ Room 5, Los Angeles
Sunday: 4/12
Headlights, 9PM @ Spaceland, Silverlake
The Cult of Horns Events, 9PM @ The Scene Bar, Glendale
Tags: Factory, free live music, Hotel, Hotel Cafe, Indie, Indie Music, Knitting Factory, LA Weekly, Live Music, Live Music Community, Los Angeles Music, Loudvine, music concerts, Music Events, Music Network, Roxy, Silverlake, Spaceland, The Echo, ticketmaster events, Troubadour, Weekly Music, Weekly Picks Posted in Live Music and MP3 | No Comments »
April 1st, 2009

Unfortunately, I’ve not been able to attend shows for the past week due to sickly sickness, which sucks hard because music is my therapy and without it I cannot be liable for anything I may do. I had been eagerly searching for my comeback band and who do I happen upon? The Grates! The Grates graced Spaceland last night and I was super thrilled to be in good health and fortunate to catch their last L.A. performance before they head back to Australia.
Their music is ALIVE! Their sound is that of amped up, catchy rock-pop. Patience Hodgson sings and carries sweet melodies that transform from sweet to jaw dropping raunch-style, and that includes the lyrical content as well; it’s a wonderful juxtaposition. Patience is a live wire, bouncy, hair tousling, firecracker. The band members, John Patterson on guitar and Alana Skyring on drums, match Patience’s energy with a powerful, upbeat, unpretentious musical performance.I arrived just as they began their set.
Spaceland was packed with a super energized crowd. Not only was the crowd full of beans, but as I made my way through the crowd, I saw many smiles on the faces of what are usually somber and serious in Silverlake (that sounds like it could be a hit daytime drama: The Somber and Serious of Silverlake). The crowd was totally eating up what The Grates were offering and so was the clap-happy, giddy person that was myself last night.
The Grates had just come from New York and before that they were in Austin doing the SXSW thing. It was so rad that they managed to squeeze in a two venue tour in L.A. for their second record, “Teeth Lost, Hearts Won.” I was lucky to catch them because like I said, they are heading back to Australia to finish up their tour promoting the album. I couldn’t have asked for a better performance from a better band to welcome me back to the nightlife. So, thank you to The Grates for giving a stellar performance and tweaking the facial expressions of the town folk last night. Also, check them out their videos online and check out “Teeth Lost, Hearts Won” it is good, fun music and it will get you up and dancing for sure.
C. Sanchez
www.loudvine.com
Tags: Add new tag, Grates, Indie Music, LA Music Events, LA Und, LA Weekly, Live Music, Live Music Community, Los Angeles, Los Angeles Music, Loudvine, MP3's, Music Network, Silverlake, Spaceland, The Echo, The Grates, Weekly Los Angeles, Weekly Music, Weekly Picks Posted in Live Music and MP3 | No Comments »
April 1st, 2009

Oh to be assaulted by the anguish of my generation. That’s the only way I can describe the noisy, noisy post-rock band Junius. I wasn’t quite expecting to tap into my inner angst last night, but their passionate playing was like a giant monument to turmoil. Dark and loud and tremendously angry, these guys blew away the Silverlake Lounge.
I almost wrote them off as some cliché radio emo-group when they got on the stage. All four band members were dressed in black and started playing a pre-recorded intro track without any stage lights up. But the second the guitars blasted and blinding blue backlights pulsed, I knew this band was awesome. They played their first song (the haunting “Stargazers and Gravediggers”) completely backlit. Their dark silhouettes were only interrupted briefly by a strobe light placed underneath their effects pedals. It was thrilling to see them pull off such insane lights on the tiny stage.
With a black hoody and full scraggly beard, singer/guitarist Joseph Martinez looked like a full-fledged unibomber. He had a deep, pained croon that gave fittingly tortured lyrics (“I tremble and shake… at the day of the cataclysm” during the song “Dramatist Plays Catastrophist”). Most of the time, though, his vocals were completely obscured by an extremely intense wall of sound. When his vocals did come through, it was like listening to a drowning man gasping for air before inevitably succumbing to evil distortion. And I mean that in the best of ways, as the whirlwind guitar noise is exactly what kept the music from falling into melodrama. Martinez and guitarist Mike Respach-Nieves were a force of audio nature.
Grounding the noise were crushing bass riffs by Joel Mungia and really stellar, fast-paced rhythms by Dana Filloon. Filloon’s talent was his ability to keep the songs from spiraling into pure noise-drone. Instead Julius’s noise-rock was almost danceable. It was certainly head-bangable, like a kind of a dance-static. Then again, one of my favorite things about post-rock is the way it paralyzes you into just swaying along and staring. Can you get drunk off of noise? Hmm… Probably not, but it can certainly feel that way.
Junius‘ most striking moment of the evening came from the song “Holding Knives.” Throughout the course of the song, the band’s silhouette’s would be bathed in blood reds and piercing golds. By the end of their set though, Junius had returned to their melancholy ice blue bulbs.
I’ll concede that noisy post-rock isn’t for everyone. Not everyone is down with extra fuzzy guitar riffs ripping your skull in two. And yes, the music is dark and angsty and easy to make fun of. But, Junius have a great deal of talent and offer a fantastic live show. So if you’re ever in need of indulging your inner anguish, these guys are right up your alley.
-Rachel K.
www.loudvine.com
Tags: Buzznet Los Angeles, Indie Music, Junius, LA Events, LA Indie Music, LA Music, LA Underground, LA Weekly, Live Music Community, Los Angeles Music, Loudvine, Music Network, music news, Silverlake Lounge, Spaceland, Troubadour, Weekly Los Angeles, Weekly Music, Weekly Picks Posted in Live Music and MP3 | No Comments »
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