Juliette Commagere @ The Echo

April 8th, 2009

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Hoo boy. I am exhausted. I’ve gone out every night for the last five nights. In fact, I almost decided to ditch last night’s show at the Echo in favor of potato chips and netflix instant viewing. But no, I picked myself up and said, “Rachel, don’t be lame! Get out and see Juliette Commagere’s solo show!” Why? Because her music is super pretty and I knew I’d kick myself for missing it. Besides, I’d seen her kick vocal ass two nights in a row. Why not go for a solid three?

In fact, I think Juliette Commagere must have a supernatural amount of energy. I saw her perform in Puscifer (the Maynard James Keenan of Tool’s side project) at the Nokia Club on Saturday AND Sunday. And those were an hour and half sets! I’m a huge Tool freak, so I immediately have a huge amount of respect for those who collaborate with him. Still, her performances with him were so badass that I knew I had to see her perform a third consecutive time.

But unlike her art-metal cohort, Juliette Commagere provided more gentle, delicate sounds. Her voice is haunting and angelic, as if descending from some twilight horizon. She sang about looking out from skyscrapers and queens dying proudly. She clearly had super mad skills as a singer and could have carried all of her numbers a capella. Instead though, she was supported by large crowd of super talented musicians. With trumpets, cellos, guitars, keyboards and synths, this ten-person team made her work amazingly layered and versatile. She didn’t hide behind them, she worked with them. In fact, she even made a point of saying, “I’m Juliette Commagere. And this is band is… also Juliette Commagere! We’re all Juliette Commagere!” Together they even got the place jumping with some pretty dancy numbers.

And (of course) the highlight of my evening came when Juliette brought up Maynard James Keenan and Puscifer:

“So… I woke up with these Puscifer lyrics stuck in my head. Wanna hear? ‘This vagina mine teach ya patient diligence. Keep the chain-gangs waiting, make a cat-bird sing…’ Oh wait, this is an All-ages show! Maybe I shouldn’t say vagina! Whoops!”

It was pretty hilarious and I loved her shout out to Maynard. Did I mention I’m a huge Tool freak? Yep…

Anyway, Juliette Commagere’s twinkling, layered songs were a real delight. After her set ended, she proceeded to sing another full set supporting the Bird and the Bee! That’s… four sets in three days. See? Supernatural amount of energy. I was still pretty tired when I got home last night, but I am so glad I didn’t stay in.

-Rachel K.
www.loudvine.com

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Asher Roth @ The Key Club

April 7th, 2009

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The first time I heard the music of Asher Roth was last summer in Chicago. I was visiting some friends from high school who had been listening to the Atlanta rapper’s mixtape for a few weeks. Kyle, Bryan, and John were as White as their names sounded, but one couldn’t let the Kappa soccer apparel, Maxim magazines, and beat-up New Balances fool you- these pot heads could talk rap shop with the best of them. “Deej” (my high school nickname deriving from my former Disc Jockey profession) ” Deej, you need to be up on Asher Roth” Brian exclaimed “He’s out of Atlanta and has DJ Drama and Don Cannon doing his mixtape. It’s called The Green House Effect. Shit’s tuuiight.” Sure enough, quicker than you could say Body Tap I was listening to the latest playlist on my former classmate’s itunes- a sound that took me by surprise and disappointment at the same time. After about two and a half songs I had made my opinion about Asher Roth. “He sounds like Eminem” I said nonchalantly “And he raps about as well as him. I’ll have to look out for him.” That was it. Not much more crossed my mind about the up and coming rapper.

Tonight I am watching Asher Roth perform in front of a packed Key Club. The MC has come up a great deal since I first heard his name back in Illinois. His music has graced millions of youtube and itunes eyes and ears since my buddy Brian first googled his name- and yes, he still sounds a lot like that other rapper. Yet despite the comparisons and potential shallow adversities that the Southern rapper could face, Asher Roth seems to carry a confident demeanor (and dare I say swagger?) in front of the Los Angeles crowd tonight. “Big ups to unprotected random sex” Roth shares openly, “I know I’m not trying to be in relationship yet so, until then…wrap it up.” Roth has been extremely open and sharing with the crowd tonight. His outgoing and relaxed stage presence fits his well structured and punch-line filled rhymes perfectly. He’s currently on a majority of radio’s top 100 playlist with his hit single “I love College” a musical bait that seems to be sticking with a lot of people. His execution of keeping the party going from city to city is doing wonders for him, shutting the mouths of doubters and fence riders (not ashamed to say) like my self.

The twenty-three year old’s focus on partying, weed, sex and drinking are laced well with the promotion of positive thinking, peaceful spirits, and even being conscious of what you eat. Roth spit an acapella verse detailing his choice on healthy eating habits and raising awareness to what we feed our youth-not just in the food sense- and being sure to maintain the mental and physical stability of one’s self. His set showed the multi-dimensional Roth, the charming, witty, fun, storyteller that you can’t find on a mixtape. Or maybe you can, but pompous shmucks like me don’t get past the two and a half songs.

Watching Asher perform is like seeing a group of college buddies hanging out on the ninth floor of the dorm. Onstage, he’s barefoot in jeans and a plain white tee, dancing around to some old school tunes, then busting out the old school dances that go along with those tunes (Asher and his band mates paused briefly in the set to break into the choreography for Candy Rain) – it was like being at the house party with all your drunk homies; kicking it and good times. He even had time to showcase his DJ and drummer, solos that brought down the house with the Humpty Dance and a cover of N.E.R.D.’s Spaz. Los Angeles received Asher with open arms.

Beating the stereotypes, critics, and haters are in Asher’s rearview. He’s an extremely talented rapper with a great lyrical gift. His spirit on stage appeals to any and everyone who watches him and his sincerity reflects that of a very wise and cool kid his age. Here’s a tip for those reading…keep him on your radar and don’t sleep on him. And a big thanks to Kyle, John, and Bryan for putting me on from day one.

A. Landon
www.loudvine.com

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The Pastilles @ Old Town Pub

April 3rd, 2009

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There was this perfect, moody band that performed at Old Towne Pub Wednesday night called, The Pastilles. The Pastilles formed here in LA and mostly stick to the Downtown LA area, but last night I caught them in Pasadena. The Old Towne Pub’s bar area is super tiny so when a band performs, the space gets extra tighter. The stage is extremely small, it was so small that the poor drummer was crammed in a corner like a little spider defending itself. But, as we all know, some of the tiniest venues provide the biggest and best experiences. Not only do you get an intimate experience, but the sound source is so close that it runs through your veins and opens you up to the musical offerings.

The Pastilles have perfected gloom. There’s a good chance that if you headed out to Old Towne Pub last night to drown your sorrows, then The Pastilles was there to help you wallow. To hear pain in music is often therapeutic and I am a huge fan of musical therapy. I would highly prescribe a big dose of The Pastilles! Laura is the lead vocal talent behind the band and her voice is the perfect blend of sultry, warm, melancholic comfort. Laura also plays the bass for some of the songs. The other band members are: Danny on guitar, Flavio on bass, and Jaime on drums. The band plays music so beautifully and will send you into blue haze. The bar-goers at Old Towne Pub are pretty much regulars and are really there to drink and watch sports, but The Pastilles managed to capture their attention. When they played, the bar was quiet and attentive to the music despite the sports on the tele. When you can pull the attention from sports-watching peeps, then you know you are doing your job! They played an untitled song during their set that they said was just created that day; they performed it like it had been a part of their song catalog for years! The Pastilles closed their set with a song called “Bad Timing” and it is a beautiful, soulful number that brings the whole band’s sound together.

I cannot believe the bands out there that are not signed and making a bajillion bucks. The Pastilles is one of them, at least their myspace page says they are unsigned and if it’s on myspace then it must be true…The Pastilles will be performing at Old Towne Pub again on April 22nd. Try to make it out to see this band, you will so thrilled that you did and I believe it is free!

C. Sanchez
www.loudvine.com

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The Grates @ Spaceland

April 1st, 2009

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Unfortunately, I’ve not been able to attend shows for the past week due to sickly sickness, which sucks hard because music is my therapy and without it I cannot be liable for anything I may do. I had been eagerly searching for my comeback band and who do I happen upon? The Grates! The Grates graced Spaceland last night and I was super thrilled to be in good health and fortunate to catch their last L.A. performance before they head back to Australia.

Their music is ALIVE! Their sound is that of amped up, catchy rock-pop. Patience Hodgson sings and carries sweet melodies that transform from sweet to jaw dropping raunch-style, and that includes the lyrical content as well; it’s a wonderful juxtaposition. Patience is a live wire, bouncy, hair tousling, firecracker. The band members, John Patterson on guitar and Alana Skyring on drums, match Patience’s energy with a powerful, upbeat, unpretentious musical performance.I arrived just as they began their set.

Spaceland was packed with a super energized crowd. Not only was the crowd full of beans, but as I made my way through the crowd, I saw many smiles on the faces of what are usually somber and serious in Silverlake (that sounds like it could be a hit daytime drama: The Somber and Serious of Silverlake). The crowd was totally eating up what The Grates were offering and so was the clap-happy, giddy person that was myself last night.

The Grates had just come from New York and before that they were in Austin doing the SXSW thing. It was so rad that they managed to squeeze in a two venue tour in L.A. for their second record, “Teeth Lost, Hearts Won.” I was lucky to catch them because like I said, they are heading back to Australia to finish up their tour promoting the album. I couldn’t have asked for a better performance from a better band to welcome me back to the nightlife. So, thank you to The Grates for giving a stellar performance and tweaking the facial expressions of the town folk last night. Also, check them out their videos online and check out “Teeth Lost, Hearts Won” it is good, fun music and it will get you up and dancing for sure.

C. Sanchez
www.loudvine.com

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Black Math Horseman @ Redwood Bar & Grill

March 31st, 2009

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Doom metal has a very special place in my heart. If its got low, droning bass lines that pound into your skull for 8+ minutes, I am so there. Even better than that, add some shoegazy effects and you get what I affectionately call “bootgaze.” Like an expensive bottle of red wine, its dark psychedelic flavors have to be sipped and savored. It’s dark and dreamy and there are only a few bands out there that really nail it. So when I discovered that LA has its own indie dark-psyche act, and that they were playing ten minutes away from my house, you can imagine how stoked I was. Black Math Horseman gave a killer show and claimed their place in the doom metal canon.

But before I get into their music, I have to give a quick shout out to some really cool Angelinos out there. You see, I found out about Black Math Horsemans show so last minute that I couldn’t find anyone to go to the Pirate-themed Redwood Bar and Grill. As I discovered, being alone at a pirate bar is a very special kind of pathetic. Luckily, a random group of strangers adopted me for the evening. LA isn’t just phony Scenesters, there are some really cool people at these shows. You know who you are: Thanks for being rad.

Anyway, back to Black Math Horseman. They were all about epic, noisy haze. Singer/bassist Sera Timms was channeling a dark Pagan Goddess as she weaved her voice into evil melodies. Guitarists Ian Barry and Bryan Tulao mingled riffs and solos for crazy long periods of time. Not surprising, as really good doom metal means extended instrumental numbers that hypnotize the listener into a murky daze. Grounding it all was Sasha Popovic’s thunderous, tribal drum pounding. With these guys supporting her, Timms even let out the occasional black metal shriek. I was so pleased.

But if we’re talking drone-doom music, then it’s all about one thing: the bass. This is where Black Math Horseman really proved their worth. Timm’s slow vibrating bass riffs were what made the music so freaking evil. It was like being trapped in a subterranean cave filled with slow-motion thunder and lightning. Or, as they say on their myspace page: “Pure spirits by ritual dismemberment.”

To my dismay, Black Math Horseman didn’t have any kind of merch for sale at their show. And sadly, their record wont drop for another two weeks. But if you also have a soft spot for some really killer bootgaze, you wont mind. Black Math Horseman are worth the wait.

-Rachel K.
www.loudvine.com

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The Asteroids Galaxy Tour @ The Echo

March 31st, 2009

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So, we had two options. Either listen to them on KCRW or go to the Echo and watch them live on Friday. I chose to go to Echo and listen, and of course, I am talking about The Asteroids Galaxy Tour. And boy I am so glad that I did. Seriously, how different could it be being at The Echo on a Friday night listening to a danish pop and funk sensation I wondered to myself as I waited outside to get in? Then I  had my answer as soon as I walked in and there was a definite sense of anticipation for this band to go on.

With a lead singer that looks like she walked out of a closet owned by Grace Slick and Janis Joplin but with an elegance all her own, The Asteroids Galaxy Tour, led by the incredible and playful Mette Lindberg and the keys of Lars Iversen took the stage and set beautiful melodies, blown to a soft brass section behind them  and started to ease into the set with a psychedelic flashing light concoction and lime green lights illuminating the echo stage all to a semi-nude drummer. Hmm, only a few seconds into the set, and I was already hooked to sounds of The Asteroids Galaxy Tour.

Sometimes the best thing about music is our inability, or simply not wanting to label it . Let’s just say that this 60′s flavored singer blazes a danish funk pop combination of stellar sounds, that you simply label The Asteroids Galaxy Tour, and dam it, you leave it at that. The Music is fun, unique, and truly stands on its own.

There was a packed crowd at The Echo this night to see The Asteroids Galaxy Tour for their first ever show in Los Angeles. And it wont be the last if this performance was any indication. Personally, I really like how these euros came to LA with a big fucking smile on their faces, and gave us lucky folk an incredible night of live music and killed their set.

www.loudvine.com

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Weekly Picks – 3/30

March 30th, 2009

Another totally filling, filled, and fulfilling week of music in LA is coming up. Here are this week’s picks. For every show, click here:

Monday: 3/30
Kissing Cousins, 9PM @ The Echo, Echo Park
Nico Stai, 9PM @ Spaceland, Silver Lake

Tuesday: 3/31
Horse Stories, 8PM, @ Hotel Cafe, Hollywood
Fitz & The Trantrums, 11 PM @ Hotel Café, Hollywood

Wednesday: 4/1
The Pastilles, 9PM @ Old Town Pub, Pasadena
Nacoteque, 8PM @ Conga Room, Los Angeles
Bloody Robots, 9PM @ The Smell, Echo Park

Thursday: 4/2
Robert Francis, 9PM @ Troubadour, West Hollywood
Warped Tour Kick Off with The Adolescents, TSOL, TV/TV, TAT, Sing it Loud, 9PM @ The Key Club, Hollywood
Voxhaul Broadcast, 9PM @ The Echo, Echo Park
The Doghouse Lords, 9PM @ The Redwood Bar, Glendale
Bobby Mathos, 8PM @ Catalina’s, Hollywood

Friday: 4/3
Japanese Motors, 9PM @ Saint Rocke, Hermosa Beach
The Get Up Kids, 9PM @ Troubadour, West Hollywood
Life on The Bang Bus, 9PM @ Motion LA, Los Angeles
The Phatal DJ, 8PM @ Natural Musuem, Los Angeles
The Break Ups, 9PM @ Pehrspace, Echo Park

Saturday: 4/4
One Trick Pony, 9PM @ Pehrspace, Echo Park
Leslie & The Lye’s, 8PM @ The El Rey, Los Angeles
Ratatat, 9PM @ Hollywood Palladium, Hollywood
Fiona Landers, 9PM @ Room 5, Los Angeles

Sunday: 4/5
Christopher Hawley, 7PM @ Hotel Cafe, Hollywood
Cut Chemist, 9PM @ The Echo, Echo Park

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Dark Dark Dark @ Hotel Cafe

March 28th, 2009

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I can’t even begin to classify Dark Dark Dark. Are they Gothic Cabaret? European-folk-fusion? Classical banjo-jazz done indie style? No… None of those really capture what this band is. All I know is, last night at the Hotel Café, this band played some really, really pretty music. On top of that, I now have a newfound respect for the accordion.

Dark Dark Dark have the least traditional instrumentation the indie scene has had in a long time. No guitars, no drum kits, no sonic synths or fuzzy effect pedals. Just banjo, cello, piano, trumpet, upright bass, and (of course) the accordion. That’s right, the accordion is cool again. Forget about Urkel or Polka or any of those other cheesy stereotypes. Lead singer Nona Invie played her accordion with passion, making some super touching (and sexy) sounds.

They started the evening with the sizzling hot “Trouble No More”, a song about unrequited love that was overflowing with haunting imagery. Invie crooned with her rich, raspy vocals, “Find me the muddiest shore, that’s where I’ll go to get lost, I wont cause you no trouble no more.” Oh dear, this song hit really close to home. In another song, Marshall LaCount deftly plucked his banjo and offered, “I will make you a boat out of lightning and fill it with pearls.” A somber trumpet solo followed and I melted. The music was just so damn beautiful. But it was also extremely gothic too. In “Junk Bones” Invie seethes: “all the junk you fill your bones with, it fills us too… all the rope you hang your neck with, it left a mark.” Oooh, that one hurt too…

With a name like Dark Dark Dark, it’s no wonder they’re so good at revealing inner sadness about true love lost. My heart was often breaking right along to Jonathan Kaiser’s cellos (yes, I still adore cellos). These guys took the “I really wish you loved me as much as I loved you” sentiment and elevated it to poetry. Really lovely musical poetry. The reason it worked so well though, is the music itself was generally up-tempo and lively. It was the kind of music you want to play you’re walking through the rain in Paris (or even just when you want to pretend you’re in Paris).

I loved how well composed the music and the lyrics were. I loved hearing instruments I rarely hear live. And most of all, I loved being made to see the accordion in a brand new light. I was so impressed with Dark Dark Dark that I even bought one of their t-shirts after the show. And in case you’re wondering, yes, it has an accordion on it.

-Rachel K.
www.loudvine.com

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Mooey Moobau @ Pehrspace

March 28th, 2009

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To ask someone if they want to go see a guy with a tongue twisting name and nothing but a tape recorder, a megaphone, a guy with a guitar and a girl with an accordion, the amount of no’s are staggering. In the mass media attempting to get in on the “indie” scene (even though they’re, like, 5 years late) the bands that are frequently mentioned when talking about Los Angeles natives are No Age, Abe Vigoda, HEALTH and the Mae Shi. They’re all Smell darlings whose fan base has been cultivated by playing at all ages venues. However, there is another group on the rise here. I call it the Killsonic Family. Killsonic, as previously reviewed by Loudvine, are a 25-piece marching band that has been getting attention from fans and media alike. An effect mostly seen in Canadian bands, there are several bands that have stemmed from Killsonic. One member has spawned his own masterpiece calling it Mooey Moobau.

Mooey Moobau is the brainchild of Killsonic trombone player and speech enthusiast Joe Tepperman. If I could describe it, I guess I would call it narrative minimalist jazz. He uses voice collages and live tape edits and seems to be the only real member of Mooey Moobau with his constantly sifting lineup of musicians aiding him. When I saw him for the first time at the Curio, he had his tape recorder and megaphone, but when I saw his at Pehrspace, he was playing bass and was partnered with a bass clarinet player. Joe’s deep, yet lively voice is a perfect marriage for his telling the parable of the “2 1-Legged Man”. At first, the audience seemed confused by what this calypso singer of sorts was even talking about. But I guess what can you expect from a guy whose song titles on the album All Murmur of Our Mother’s Waters include “Autopsy of a Pigeon”, “Love Bloody Food Sewer Food” and my favorite “McDonald’s Mouse vs. the Toilet Seat Cat”, right? But the audience grew to love Joe and were along for his journey. One blogger said that it was “David Byrne meet Picasso”. Maybe that’s a little much, but you get the idea. The heavy influence of speech, natural flow and patterns comes from Tepperman’s work as a speech pathologist and research of applied linguistics at USC. Hats off to anyone who can waltz in from Florida and turn LA music upside down and slap a big shit-eating grin on these hipster kids.

Seeing Mooey Moobau is a lot like watching the film Fantasia. Tepperman recites and narrates using heavy word play (the visuals, such as movement, in the film) and the minimalist yet chaotic music to marry the abstract content of the fables (the colors, sounds of the film). Its frenetic and spontaneous, yet beautifully detailed and and sophisticated. He usually lurks in the shadows of small, divey venues and crawls out of his wormhole frequently to play. So, yeah. You just have no reason to never see Mooey Moobau.

B. Kramer
www.loudvine.com

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Restavrant @ Silverlake Lounge

March 27th, 2009

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Ok folks, I’ve have a crap week. Jury duty and food poisoning in a three day span. I sort of wanted to shoot myself in the face. So I was need of some serious musical cleansing when I hightailed it to the Silverlake Lounge last night. Better than a bottle of Pepto Bismol was Restavrant. These guys served up a big helping of Southern gator rock mixed with a healthy dose of… electronica? Whaaa?

I knew something was up when I scanned the crowd. Sure there were the usual dark-rimmed glasses and skinny pants (I mean, we were in Silverlake). But there were also some really big, beer-guzzling trucker dudes there. Like, the sort of guys you wouldn’t want to share a prison cell with. It all made sense as soon as Restavrant started playing their bluesy swamp music. Singer/guitarist Troy Murrah had a gritty growl that could have been from any of my Grandmother’s old blues vinyls. In true blues fashion, he worked a bottleneck guitar, a harmonica, and had a strong tendency to say, “Thanks Y’all.”

The second guy in the band, J State, had the most (amazing) white trash drum kit EVER. I’m not even exaggerating. Sure, he had a kick drum and a snare. But for cymbals, he just had two license plates melted together. A gasoline can was thumped on, too. When he wasn’t banging the hell out of his dumpster-dived-drum set, however, he was working a synth and a drum machine. With Murrah’s Boomhauer vocals, the two made some pretty fantastic dance songs. In the song “Joe D” Murrah would chant, “I’ve got no sunglasses, I’ve got no tennis shoes” making a super fun, Hillbilly-techno romp. “Homeless Architect” was so fast I wondered if this is what they play at raves in Alabama. Damn.

By the end of their set, J State’s wife beater was soaked and Murrah was off the stage playing in the audience. Their gritty eletro-blues may have been a weird combo, but it was a thoroughly kick ass one too. I don’t care what you’re doing next Wednesday night (you can TiVo Lost, goddamnit), just get out there and see some live music. You might just see a band as cool as Restavrant.

-Rachel K.
www.loudvine.com

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