Thirty Seconds with Le Switch

March 15th, 2009

Ok, for the non hipster part of our site…this is all I am going to say…give yourself a shot of pure voluminous and incredible music and go see these guys.

And I am speaking of Le Switch. Accompanied by the sheer talent and power that is this five piece(complete with girl trumpeter), these east sidaz’ are actually known to play all around town. Good music travels and Le Switch is worth getting in the car to go see. And live they just don’t disappoint. Their next show in LA is at The Echo on March 29th.  Give yourself a treat and experience it for yourself.

www.loudvine.com

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Vaudeville @ Saint Rocke

March 13th, 2009

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Who knew a band fronted by a lead singer that is a molecular scientist(if not mistaken) could just kill it so on stage. But get these four boys on stage and something magical happens, as if they are just playing, being themselves and making music to get even the most tired out of their chairs to move and feel good all around. Amen to Vaudeville.

I personally have been mia for the last two weeks. And I probably should not admit this, but just have not been out to listen to live music. Until last night. But boy that did change last night, as with a random Thursday night open, I’d decided to watch Vaudeville at Saint Rocke. Simply put these guys totally crushed their set on the tiny Saint Rocke stage. I am just hoping that the peeps in the audience understood how special of a set it was. Then again, I don’t care what the others thought, I had a shot of music revival shooting through me, all way down my back and into my jimmy leg as I sat there listening to Vaudeville with a large smile on my face.

Vaudeville, the band that can, is Dan, Jacob, Sean, and Jonathan. Jonathan stole the night on the keys. The again, he was matched with a contagious fun and pound the fuck out of our instruments attitude, with Dan, Jacob and Sean along for a fun set. Vaudeville was just that. FUN and dynamite on stage.

Watching these guys on stage is like watching four buddies, never farther then a smile away from each other and just being into what they are doing to the very core. Vaudeville performs with such an ease on stage, that I had to just sit back, listen and enjoy. And that is exactly what I’d do as Sean on drums kept  my eyes glued to them during their ENTIRE set. The kid is a whiz on the drums, and what a showman.

When they did ” I Get Up,” I thought to myself how many people in this spot could actually keep up with Vaudeville? This band brought me to a happy place last night as I wished their 8 song set had been twice as long. Vaudeville…wow, just something magical about watching a young group as a quartet on stage with the steely keys that just makes me feel that what I witnessed was really fuckin’ cool.

By now whoever reads out stuff, knows one of our major “themes” is how music just cures everything. And after watching an inspired set by Vaudeville, again we are proved right! Dam, just what I needed. Great music and beauty of just being taken away from everything. Thanks guys.

www.loudvine.com

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Mateo @ Viper Room

March 13th, 2009

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You know, it’s been a tough time for male R & B singers lately. Autotune has dominated the industry and radio, the mention of a boy group sends most A& R’s into a laughing fit, and the very utterance of Chris Browns name…well, you get the picture.

Yet as I sit here at the Viper Room and listen to up and coming panty dropper/singer Mateo swoon through his set, I am reminded that there is hope for the ladies and men that need that good ol’ fashion baby making music. I mean, where is the lane for the soulful singer these days? Los Angeles based singer Mateo is paving his own way and is dedicated to bringing feeling back into the music, a lane that will secure that our future financial deficit inheritors are not left with a soulful musical selection as desolate as their loan options.

Mateo is a storyteller through melody who has not stood by and let the industry shape his art form. He is a singer, songwriter, pianist, and producer. His latest mixtape, Underneath the Sky has been buzzing from the online community to the real world recession, and itunes recently picked up the mixtapes first single “Complicated”. Myspace even got behind the young up and coming star as one of their first signees to their music label. Mateo has been a freight train of hustle and creativity and is re-shaping the mold of a singer in today’s standards.

“Sing it like your singing in the shower” Mateo encourages the packed Viper Room. He is playing the piano and coaching the audience with ease, instructing us to sing the Obama inspired hook of “Yes We Can” and “Yes We Did”. Mateo’s energy on stage glows of positivity and confidence, along with sincerity and humility. Having broken into the industry at the staple time during the election, Mateo usually makes it a point to be decked out in some pro Barak gear and does a great job to maintain his overall musical charisma in the same uplifting vein as the Presidents. He’s personable, even from 30 feet away with bright lights and fog.

Mateo has built up the energy since his opening song, having started out his set with the lax and harmonious tune “Oohh N Love” a personal favorite. Starting his set off slow and sexy was a nice touch, different from the big bang cymbal crashes- over used by attention wanting artists and singers. Backed by DJ C. Brown (no, not THAT C. Brown) and the technically impressive drummer Tony Westing Jr, Mateo’s set depicted well written and well rehearsed music, a different strand from what listeners have heard on his mixtape where he’s singing mainly over top-40 instrumentals.

The live music tonight is fresh and imaginative, an amazing compliment to the singer’s voice. Not afraid to step outside the box, Mateo pauses in between songs to explain to the audience how happy he is to be able to share with them his work. “I want my music to capture those favorite moments in your memory. Those special times that always come to mind whenever you hear a certain tune. I believe every song tells a story and this next piece is a medley I put together meant to tell a story to all of us.”

The chill Casanova on the mic and piano went into a barrage of well known songs, cutting the lyrics and splicing the tunes of hits from Usher, Justin, Jordin Sparks, Alicia Keys, and more. In between transitions of the songs he would tell of a girl he met, the ups and downs of the relationship, the break-up and make-up, while all the time jumping in and out of the classic tunes. The audience ate it up! Guest rapper Shawn Chrystopher also made a cameo, giving way as the only feature within the entire set.

Mateo parted the audience with some encouraging and relevant words before getting into the songs “Get to know Me” and “Underneath the Sky. “Stating that “Everyone wants to be known”, the singer reminded us how easy it is to get caught up in the hype, and not love one another for who we truly are. He thanked the audience for accepting him for who he is, and encouraged everyone to be true to themselves.

A. Landon
www.loudvine.com

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The Upsidedown @ The Redwood Inn

March 12th, 2009

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Buried deep in the heart of downtown is a pirate-themed bar. That’s right, The Redwood Bar and Grill is the real deal: anchors, fake skeletons, and wooden ship-masts line the walls. There were even a few guys dressed for the occasion. Pretty weird place to see a groovy psychedelic rock band, right? Well, that’s what I was doing last night. I was there to see The Upsidedown, and they didn’t disappoint.

I admit I was a little skeptical at first. LA Scenesters flock to noisy psych rock like fat kids to cupcakes. And yeah, there were a few (I couldn’t decide if the guy on my right was an Anton Newcombe-wannabe, or actually Anton Newcombe). But the second TheUpsidedown started, I knew it was going to be a good show. Guitarist Matt Moore gave a piercing screech followed by, “We just wanted to let you know we were primal, and shit. Ha!”

Jsun Atoms started crooning with his extra-deep baritone, “You drive me bananas, You drive me up the wall.” Tristan Evans was ultra smooth on her bass and would add dreamy, melodic vocals while walls of distortion echoed on. TheUpsidedown certainly knew shoegaze sounds. But they were far more dynamic than (sorry) boring-shoegaze-sway music. They had energy, too. And her name was Sarah Jane. On keyboards and tambourine, Jane provided rhythm and (literal) bounce to all the songs. She’d twirl and manage high kicks when she wasn’t old-school go-go dancing.

I wasn’t sure if I should’ve been drinking beer or some sort of electric kool-aid. Then again, it was a pirate bar, so maybe I should have had a bottle of rum and a parrot. Either way, The Upsidedown offered a great set. There were moments to sway and moments to dance. There were stripped down sounds direct from 1968 and sonic electronic beats for right here, right now. Whether you’re a Scenester, pirate, or just a normal human being, check out TheUpsidedown .

-Rachel K.
www.loudvine.com

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Derek Carter @ El Cid

March 12th, 2009

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The east side is so crowded with indie bands that I sometimes forget there are actually other kinds of live music. El Cid, turns out, hosts a very active and populated open mic night the second and last Tuesday of every month. Used to be I could always rely on Tangier (R.I.P.) as the east side’s go-to for quieter acts, but more often than not, those bands were decidedly “indie.” The folks performing at El Cid last night were unabashedly singer-songwriters. And leading the pack was Derek Carter, who owned the opening slot — and a longer set — as one of the night’s Featured Artists.

Carter opened the show on his own by humbly addressing the crowd seated under the dim red lights. The first song (maybe intentionally) felt like a warm up. With a little shyness at the mic, and slightly shaky vocals, he conjured up a distant cousin of the singer-songwriter Deity, Elliot Smith. After some warm applause, he was joined by his folky partner in crime whose name I unfortunately didn’t catch. Visually, she was all spark and a quirky compliment to his tall, gruff-ish presence (how gruff are singer-songwriters, really?).

For the rest of the set, they delivered Southern-tinged folk tunes, laced with wit and really nice harmonies. In the end, that was what won me over. Her rich voice could’ve easily stolen the show from Carter’s softer, soulful sound, but they worked it out evenly (yay, team work!). They traded verses, coming together when the timing was right to put a point on a feeling. The highlight of the set was the song Carter introduced with a story about an old married couple he witnessed in a restaurant, silently hating each other. Their voices alternated points of view, and the harmonies punctuated the dark humor and poignance in the lyrics. The song set the bar for the night.

B. Soika
www.loudvine.com

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Pink Mochi @ Silverlake Lounge

March 11th, 2009

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I just saw the cutest quartet at Silverlake Lounge on Monday night. This quartet I speak of is LA’s Pink Mochi. Pink Mochi is: Ai (vocals/keyboard/theremin), Lisa (keyboard/ bass), Michael aka Yuki (guitar/vocals), and Tim (drums). Last night was singer, Ai’s birthday. She was dressed in a white ruffled dress and twirled around the stage during their set as if she were three years old showing off her pretty, new dress and I must admit… it was adorable! A fan requested that Lisa play “Happy Birthday” on keyboards and at first Ai showed some shyness at the thought of it, but ultimately joined Lisa by complimenting the song with a theremin rendition. Ai even got someone to buy her a drink between songs, why not? It was her day of birth afterall!

Pink Mochi was the first band to perform of the night and the bar was pretty full and hopefully it was full for them because they deserved it. Pink Mochi is best described as power-pop-electronic bliss! They were the icing to my cake last night. When I saw Ai’s elegant hand movements manipulating her theremin, I fell in love. I didn’t even notice the black, sleek theremin onstage until she started playing. Ai didn’t overuse the theremin and that was a smart move, even though I could listen to it for hours…in other words she didn’t kill it. It was given in doses and left us wanting more.

Not unlike the dessert of the same name, Pink Mochi is sweet! Not only in demeanor, but vocally and musically. Their catchiest song of the night happened to be their last. “Melt” was the last song. It is a very catchy song in the best possible way. Another really great one of the night was “In Hands” and “Rusty Pogostick.” During “Rusty Pogostick,” Ai hopped around the stage in the super cute way she does and captured the essence of the song in her movement. I was hoping to buy their EP that is out now, but unfortunately, they sold out…booo! No, it’s a testament to how wonderful they are of course. If you are lucky enough and get a chance to go see them perform, take that chance!

C. Sanchez
www.loudvine.com

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Myka 9 @ The Knitting Factory

March 5th, 2009

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Last night I went to go see a legend! Who is this legend I speak of? None other than LA’s own Myka 9. Myka played Knitting factroy and was joined onstage with JTheSarge spinning and spitting with him. Last night Myka 9 was promoting two projects…the man is busy! He was promoting his new record “1969″ and his Magic Heart Genies’ project that he worked on with JTheSarge called “Heartifact.” He opened for his long time friend, Aceyalone! It was definitely an old school night, but they sounded as young as ever, not that they are that old or anything!

Now, I don’t frequent underground hip-hop shows very often, but I felt at home in the crowd. Hip-hop crowds seem to be a little nicer than some indie-band crowds, maybe that was on the account of a certain illegal substance that filled the air? Or maybe because hip-hop is hellah fun! I was feeling everyone’s energy. I walked in while Icon was performing (right before Myka 9) and I was immediately smitten with the scene, even though I was totally called out by Icon…he asked people who had backpacks on to put them to take them off and put them to the side and dance, I think I was the only one with a backpack that I noticed, but I just came from school! Another thing that is so radical about hip-hop shows is that they don’t take forever and a year to set up. They are on it and ready to go. Ready to get in our faces and tell it like it is in their world. Myka 9 was literally onstage 3-5 minutes after Icon was done performing. He kept the energy going…smart!

“1969″ is Myka 9′s fifth solo album outside of Freestyle Fellowship, Haiku D’Etat, and Magic Heart Genies. Like I said, the man is busy. His new music, both solo and collaborative, last night was killing. He rhymes so freakin’ fast, I couldn’t believe it! A couple of times a song would come up that JTheSarge had in line and Myka would say he wasn’t prepared for that particular song, but he would do it anyway and kill the fuck out of it! Like he said “My beats are bumpin’ like braille.” Haha! I love it. In the background he projected some old footage of himself back in the day rapping and he looks the same except for the fact that he has longer hair now. He gets better with age in all areas! Ok, well his touring schedule lists his next show in Texas playing SXSW and nothing lined up after that, but I’m sure he’ll be around Los Angeles promoting “1969″ and his Magic Heart Genies project “Heartifact.” Both projects are super tight. Go pick up your copies!

C. Sanchez
www.loudvine.com

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Dirt Dress @ Silverlake Lounge

March 4th, 2009

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Over the past decade, indie music’s seen some serious bloat. Gone (thankfully?) are the power trios that marked 90s alt rock. In their place, we have the 5, 6, 7 + piece mini-orchestra (no hard feelings, Sufjan). It’s hard to sound bad with that many layers in a song; it’s also increasingly harder to sound original. These days I’m more impressed by groups that get a lot of mileage out of the 1-2 punch of treble and bass. Last night at the Silverlake Lounge, Dirt Dress did just that.

Recalling those power trios (but with less cheese), Dirt Dress barely occupied the stage with their basic line up. Over the first couple songs, the reverb-drenched guitar and sung-spoken vocals seemed to hint at territory recently traversed by the Cold War Kids. But ironically, the singer, more than anyone else, managed to keep the songs from sounding imitative. His soft melodies (also awash in ‘verb), which were sometimes at odds with the rowdyness of the music, gave the band its signature.

As the set moved along, the CWK comparison quickly dissipated, and I realized that Dirt Dress really doesn’t sound like, well, anyone. Their formula goes something like this: alternating bursts of chunky, spikey guitar, and a rhythm section that reminded me of being on a boat. With busy bass lines and rhythms that sometimes changed within a single song, I felt like I was being lulled back and forth. Their stage presence was pretty low-key, and they kept the set short and sweet. It ended just as I felt a conclusion coming on, which was fitting for a band who is decidedly anti-bloat.

B. Soika
www.loudvine.com

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Dulce de Leche @ Musicians Performance Studios

March 3rd, 2009

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I have the most interesting experiences concerning venues. Especially now that I’m working at Loudvine, I’ve been going to some pretty fun (and not so fun) shows at these bizarro venues. Usually these little local joints have some kind of clever and memorable name, which allows me to guess what it might be all about. But if the place is called Musicians Performance Studios, then my spidey sense is fucked. I had gone to the show at the MPS for several reasons that night, but I was mostly anticipating the live set of the freaky, Spanish-folk inspired, Canoga Park native threesome Dulce de Leche. I’m always trying to scheme and slime my way in getting into these places for cheap or free (which I did! $5 instead of $10. Wooo me). I have to economize, man. It’s hard out here for a pimp.

I was wondering why the Musicians Performance Studios looks most like the facility for juvenile hall, a strange décor choice for a venue. The place is a recording studio that happens to have bands play, as opposed to the other way around. Dulce de Leche almost didn’t perform that night since they arrived pretty damn late, almost at the end of the band that they had to go on right after. But seeing them waltz in with the Aztec-like war paint designs on their faces and a small amount of oddball instruments, they were allowed to play. Their sound can only be described as “regional Mexican roots”, as singer and overall ringmaster Emmanuel Jose put it “people think that we’re really weird and that we’re on acid or something,”  he said with a laugh. I wouldn’t go as far as to say that, but they’re nothing short of extremely original. Various types of percussion was done by Ashley Stuart, Emmanuel’s girlfriend, and I can’t stress enough how great it is to see a girl in a group actually do something and have some fucking talent. I’m pretty sick of these mannequin-like add-ons that just slap a tambourine twice. The threesome was completed with an splendid multi-instrumentalist member who goes by just Pa/Ze. Dulce de Leche use everything from acoustic guitars, wood blocks and cowbells to vocal effects, saxophones, bird-whistles, and so much more. By the end of the show, they had the entire crowd singing with them, “Yo me voy de aqui a Chiappas!” as Emmanuel stood on a chair, jumped off a chair, laid out on the stage, got in Pa/Ze’s face, and everyone loved it. “We only have 10 CDs. So if you don’t want ‘em…..we’ll take ‘em”, Emmanuel announced, but everyone who could, swiped one, including myself.

Dulce de Leche give the 3 things I love most in music: originality, fun and love. There are songs are in Spanish, English and jibberish with these usual sounds from south of the boarder, and they managed to win the crowd over with the biggest applause. Not bad for ex-punks.

Their next show they play is the Community Conscious Effort at the Epoca Hall. on March 6th.  Gooooooooooo.

B. Kramer
www.loudvine.com

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