Juliette Commagere @ The Echo

April 8th, 2009

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Hoo boy. I am exhausted. I’ve gone out every night for the last five nights. In fact, I almost decided to ditch last night’s show at the Echo in favor of potato chips and netflix instant viewing. But no, I picked myself up and said, “Rachel, don’t be lame! Get out and see Juliette Commagere’s solo show!” Why? Because her music is super pretty and I knew I’d kick myself for missing it. Besides, I’d seen her kick vocal ass two nights in a row. Why not go for a solid three?

In fact, I think Juliette Commagere must have a supernatural amount of energy. I saw her perform in Puscifer (the Maynard James Keenan of Tool’s side project) at the Nokia Club on Saturday AND Sunday. And those were an hour and half sets! I’m a huge Tool freak, so I immediately have a huge amount of respect for those who collaborate with him. Still, her performances with him were so badass that I knew I had to see her perform a third consecutive time.

But unlike her art-metal cohort, Juliette Commagere provided more gentle, delicate sounds. Her voice is haunting and angelic, as if descending from some twilight horizon. She sang about looking out from skyscrapers and queens dying proudly. She clearly had super mad skills as a singer and could have carried all of her numbers a capella. Instead though, she was supported by large crowd of super talented musicians. With trumpets, cellos, guitars, keyboards and synths, this ten-person team made her work amazingly layered and versatile. She didn’t hide behind them, she worked with them. In fact, she even made a point of saying, “I’m Juliette Commagere. And this is band is… also Juliette Commagere! We’re all Juliette Commagere!” Together they even got the place jumping with some pretty dancy numbers.

And (of course) the highlight of my evening came when Juliette brought up Maynard James Keenan and Puscifer:

“So… I woke up with these Puscifer lyrics stuck in my head. Wanna hear? ‘This vagina mine teach ya patient diligence. Keep the chain-gangs waiting, make a cat-bird sing…’ Oh wait, this is an All-ages show! Maybe I shouldn’t say vagina! Whoops!”

It was pretty hilarious and I loved her shout out to Maynard. Did I mention I’m a huge Tool freak? Yep…

Anyway, Juliette Commagere’s twinkling, layered songs were a real delight. After her set ended, she proceeded to sing another full set supporting the Bird and the Bee! That’s… four sets in three days. See? Supernatural amount of energy. I was still pretty tired when I got home last night, but I am so glad I didn’t stay in.

-Rachel K.
www.loudvine.com

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U-N-I

April 3rd, 2009

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“Oh Em Gee! It smells like a mixture of weed and gym class in there!” I’m talking to my group of friends as we spill out of the packed Viper room and onto the sidewalk for some fresh air. The crammed venue is a good sign for this evening’s headliner, nationally known and locally respected Hip-Hop duo U-N-I- but unfortunate for our nostrils. Even posted up against the parking meters outside, the congregating LAliens are continuing to show up to show their support for the performers tonight. My feet hurt and I am tired. I don’t want to go back inside and deal with crowd but really have to go to the restroom. A writer in distress. I am looking forward to seeing U-N-I perform. Aside from having an awesome amount of buzz in the last year, the duo recently played in Miami and opened up for Busta Rhymes at a few shows.

The duo is celebrating the release of their latest album A Love Supreme which they made available free for download to any and everyone. As the group gets ready to come on stage, a voice booms over the mic, ” DJ, play me something dope. Something to make me go crazy.” The audience cheers in agreement to the request and the DJ drops a record. The familiar tune of the Cha-Cha slide comes belting out the speakers onto dormant ears. U-N-I comes strutting on stage, oblivious to the crowds distaste to the DJ selection. “Alright everybody, to the left….take it back now ya’ll….one hop this time!” The early millennium tune is not making the finest impression, but Thurzday and Y-O don’t seem to give a damn. “April Fools guys…April Fools.” The prank kicks off the set on a great note, a perfect compliment to the group’s night as they showcase their material to newcomers and old pals.

“You guy’s don’t realize it but I still have a nine to five” says front man Y-O, “You see me in the videos partying and living the life but I still have a day job!”

Even with blue collar obligations the group has managed to achieve a rapid rise within the underground scene in Los Angeles and across the US. Tonight at the Viper Room, there is barely any room to move (or breath) as friends, family, and fans have come to show their love and support as the group takes their musical endeavors to the next level. Even if you are new to U-N-I, it won’t take long to attach your self to the group’s energy and charisma. Their chemistry is natural and entertaining, drawing in Hip-Hop heads, lyricists, and music lovers alike.

Their music flexes their lyrical abilities, and the two have a magnetic energy between one another like that of Run-DMC. Exchanging rhymes back and forth, while maintaining an individual flow, their style translates well to the audience- and their content ranges from rapping about the flyest kicks to the fattest chicks to shopping on Melrose in JoyRich. Having already been endorsed by local legend Evidence (who joined them on stage) along with up and coming MC’s H.O.P.E., beatboxer Fahz, and New York homeboy Curtains- the night was full of special guests and creative cameos. By nights end, U-N-I was literally in the middle of the crowd hyping the audience up before thanking and shouting out their friends and family.

On the drive home, I though about how it’s inspirational to see young people balance their artistic endeavors and still maintain that nine to five. Keep on grinding and remember to work together. It’s U-N-I till the day we die!

A. Landon
www.loudvine.com

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Bloody Robots @ The Smell

April 3rd, 2009

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You know what the best part of a thrash metal song is? It’s the part where, after a fair amount of build up, everything goes batshit crazy. It’s the part where everyone on stage lets loose – they channel all that is wild and unholy – and it rules. Now, take that break-shit energy, extend it for an entire set, and you have Bloody Robots. They were playing the Smell last night for a Food not Bombs benefit. As far as venues go, this downtown location is hidden down an alley wedged between fancy upscale urbanites and the crack addicts of Skid Row. Perfect place to see some musical insanity, right? Well, Bloody Robots delivered. Their rip-roaring clang frenzy of discordant art noise really put the metal in thrash metal. Literally.

With a name like Bloody Robots, it makes sense that all of their songs focused on merging mand and machine. In “Flesh and Bolts”, singer/bassist Jimmy Fusil (AKA Jimbot) declared, “This is the struggle of meat and metal, rusting on the inside and bleeding on the outside.” During one doom-funk number Jimbot simply chanted “1001001″ over and over again while drummer Thomas Cabela (AKA Model T) went loose on his sick drum-kit. Lyrics aside, most of the set was hardcore intense thrash-jam. Together, this duo sounded like a chainsaw factory being assaulted by bazookas.

The only thing that really sucked about the show was their audience. Bloody Robots are thrashy, but they also have a strong following in the experimental noise scene. I love me some noise, but most of the people in the crowd just stood there looking like glazed over cattle. Really people? Jimbot was up there headbanging and playing his bass like rabid dog on methamphetamine but no one in the audience was as much as headbanging. How do you just stand and sway to thrash? I really wish there had been a more metal-head-oriented fan base at this gig. I mean, at one point Jimbot put down his bass to just clang sticks on metal poles. Based on their playing alone, Bloody Robots deserved a brawl at least!

Regardless of a lame crowd, this show was sick. Bloody Robots played their asses off and for a good cause no less. Donating to charity never felt so good. Or evil.

-Rachel K.
www.l0udvine.com

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The Asteroids Galaxy Tour @ The Echo

March 31st, 2009

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So, we had two options. Either listen to them on KCRW or go to the Echo and watch them live on Friday. I chose to go to Echo and listen, and of course, I am talking about The Asteroids Galaxy Tour. And boy I am so glad that I did. Seriously, how different could it be being at The Echo on a Friday night listening to a danish pop and funk sensation I wondered to myself as I waited outside to get in? Then I  had my answer as soon as I walked in and there was a definite sense of anticipation for this band to go on.

With a lead singer that looks like she walked out of a closet owned by Grace Slick and Janis Joplin but with an elegance all her own, The Asteroids Galaxy Tour, led by the incredible and playful Mette Lindberg and the keys of Lars Iversen took the stage and set beautiful melodies, blown to a soft brass section behind them  and started to ease into the set with a psychedelic flashing light concoction and lime green lights illuminating the echo stage all to a semi-nude drummer. Hmm, only a few seconds into the set, and I was already hooked to sounds of The Asteroids Galaxy Tour.

Sometimes the best thing about music is our inability, or simply not wanting to label it . Let’s just say that this 60′s flavored singer blazes a danish funk pop combination of stellar sounds, that you simply label The Asteroids Galaxy Tour, and dam it, you leave it at that. The Music is fun, unique, and truly stands on its own.

There was a packed crowd at The Echo this night to see The Asteroids Galaxy Tour for their first ever show in Los Angeles. And it wont be the last if this performance was any indication. Personally, I really like how these euros came to LA with a big fucking smile on their faces, and gave us lucky folk an incredible night of live music and killed their set.

www.loudvine.com

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The Sadies @ The Echo

March 23rd, 2009

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Do you own all three seasons of Deadwood on DVD? Have you ever reenacted scenes from The Good, The Bad, and the Ugly? Can you sing the theme to Bonanza? Hell, do you even know what Bonanza is? If you answered yes to any of the above questions, then The Sadies are the band for you. This boot-stomping, knee-slapping Western band seriously rocked the Echo last night.

As soon as they came on stage, they started full force with the epic track, “Lay Down Your Arms.” This isn’t commercial wife-beaters and pickup-trucks country rock. Oh no. This is the stuff saloon brawls were made for. It’s kind of weird that four guys from Canada brought the Wild West to Los Angeles. Sean Dean worked his upright bass into a stupor while Mike Belitsky thumped his drums like there was no tomorrow. But the real show comes from the Brother’s Good (dueling vocalist/guitarists Travis and Dallas Good, in matching suit and ties no less). On “Northumberland West” the two proved they could shred their guitars and harmonize at the same time. And if you see as many concerts as I do, you’d know this is a skill that many bands do not have.

Their energy and their skill is what make The Sadies stand out. Dallas Good provided a sweet tenor-croon while Travis Good brought a scowling, mad dog growl to their songs. Stylistically, they make me want to jump on a horse and carry a six-shooter. In fact, I swear I heard someone in the crowd yell “Yee Haw!!!!!” during the set. But when it comes to their music playing, sometimes I had to just stand and watch, mesmerized by the Good Brother’s intricate string plucking.

Highlights included the sweet and somber “A Good Flying Day”, a song you’d slow dance to if people still slow danced. For one number, Travis Good even whipped out a fiddle for a badass rock-out, hoedown style. But the hands down, jaw-dropping moment of the night was their final song. The Good Brother’s stood next to each other, crisscrossed arms, and simultaneously played each other’s guitars. It. Was. Fantastic.

I’ll sum up The Sadies with on phrase: Yippie-Kay-Yay-Motherfucker!

-Rachel K.
www.loudvine.com

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Amateurs @ Space 1520

March 23rd, 2009

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Space 1520 is a welcome addition to the music venues in Hollywood. I suppose “venue” isn’t quite right, though, since 1520 is technically a complex of shops and galleries. But in the middle of it all is a cool outdoor area with a wide stage and sound rig. It’s simple and unpretentious, and a nice break from the musical dregs of the nearby Strip.

I imagine the open space would be ideal on a warm summer day, but last night’s chill didn’t deter a small, young-ish crowd from coming out on a Thursday night. (By the by,1520 is all ages, which is great; younger crowds always seem more enthusiastic about the music).

The cold air also didn’t deter Amateurs from delivering a typically lively set. Is it totally cheesy to say their warm brand of rock n roll swagger kept us all insulated?… Yes, yes I believe it is. For the uninitiated, Amateurs are a 5 piece, which might be an incidental detail for most line ups, but for them it’s worth mentioning, given the way they blend the instrumentation. Adding to the usual guitar-bass-drums trifecta are trumpet and pedal steal. For some rock bands, it’s tempting to use these as extra layers on top, but Amateurs stand out for fully integrating them into the songs.

Indeed, every song from the set sounded full, making even their most laid back rhythms feel confident and infectious. Listening to them, I was reminded of the best parts of 70s rock. “Groove” is a word I try to avoid, but I think it’s apt here. With touches of indie rock-guitar and bright, trumpeted melodies, their sound — and show — is definitely worth your time.

B. Soika
www.loudvine.com

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Weekly Picks – 3/16

March 16th, 2009

These are our picks for the week of 3/16. Tell your friends about us. We have made some cool changes to Loudvine.com, with our unique MP3 Player now “live” on the homepage.

Now you get to listen to bunch of bands you probably would not have found on your own and we started to insert cool MP3′s from sick bands into the Blog as well.

INDIE:
Voices Voices -3/16, 9PM @ The Echo, Echo Park
Black Tongued Bells – 3/16, 9M @ The Scene Bar, Glendale
Bo Beep – 3/16, 10PM @ Bordello, Los Angeles
And You Will Know us By The Trail of Dead – 3/17, 9PM @ Echoplex, Echo Park
Sucker for Pumps – 3/18, 9PM @ Troubadour, West Hollywood Read the rest of this entry »

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Thirty Seconds with Le Switch

March 15th, 2009

Ok, for the non hipster part of our site…this is all I am going to say…give yourself a shot of pure voluminous and incredible music and go see these guys.

And I am speaking of Le Switch. Accompanied by the sheer talent and power that is this five piece(complete with girl trumpeter), these east sidaz’ are actually known to play all around town. Good music travels and Le Switch is worth getting in the car to go see. And live they just don’t disappoint. Their next show in LA is at The Echo on March 29th.  Give yourself a treat and experience it for yourself.

www.loudvine.com

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The Upsidedown @ The Redwood Inn

March 12th, 2009

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Buried deep in the heart of downtown is a pirate-themed bar. That’s right, The Redwood Bar and Grill is the real deal: anchors, fake skeletons, and wooden ship-masts line the walls. There were even a few guys dressed for the occasion. Pretty weird place to see a groovy psychedelic rock band, right? Well, that’s what I was doing last night. I was there to see The Upsidedown, and they didn’t disappoint.

I admit I was a little skeptical at first. LA Scenesters flock to noisy psych rock like fat kids to cupcakes. And yeah, there were a few (I couldn’t decide if the guy on my right was an Anton Newcombe-wannabe, or actually Anton Newcombe). But the second TheUpsidedown started, I knew it was going to be a good show. Guitarist Matt Moore gave a piercing screech followed by, “We just wanted to let you know we were primal, and shit. Ha!”

Jsun Atoms started crooning with his extra-deep baritone, “You drive me bananas, You drive me up the wall.” Tristan Evans was ultra smooth on her bass and would add dreamy, melodic vocals while walls of distortion echoed on. TheUpsidedown certainly knew shoegaze sounds. But they were far more dynamic than (sorry) boring-shoegaze-sway music. They had energy, too. And her name was Sarah Jane. On keyboards and tambourine, Jane provided rhythm and (literal) bounce to all the songs. She’d twirl and manage high kicks when she wasn’t old-school go-go dancing.

I wasn’t sure if I should’ve been drinking beer or some sort of electric kool-aid. Then again, it was a pirate bar, so maybe I should have had a bottle of rum and a parrot. Either way, The Upsidedown offered a great set. There were moments to sway and moments to dance. There were stripped down sounds direct from 1968 and sonic electronic beats for right here, right now. Whether you’re a Scenester, pirate, or just a normal human being, check out TheUpsidedown .

-Rachel K.
www.loudvine.com

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Derek Carter @ El Cid

March 12th, 2009

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The east side is so crowded with indie bands that I sometimes forget there are actually other kinds of live music. El Cid, turns out, hosts a very active and populated open mic night the second and last Tuesday of every month. Used to be I could always rely on Tangier (R.I.P.) as the east side’s go-to for quieter acts, but more often than not, those bands were decidedly “indie.” The folks performing at El Cid last night were unabashedly singer-songwriters. And leading the pack was Derek Carter, who owned the opening slot — and a longer set — as one of the night’s Featured Artists.

Carter opened the show on his own by humbly addressing the crowd seated under the dim red lights. The first song (maybe intentionally) felt like a warm up. With a little shyness at the mic, and slightly shaky vocals, he conjured up a distant cousin of the singer-songwriter Deity, Elliot Smith. After some warm applause, he was joined by his folky partner in crime whose name I unfortunately didn’t catch. Visually, she was all spark and a quirky compliment to his tall, gruff-ish presence (how gruff are singer-songwriters, really?).

For the rest of the set, they delivered Southern-tinged folk tunes, laced with wit and really nice harmonies. In the end, that was what won me over. Her rich voice could’ve easily stolen the show from Carter’s softer, soulful sound, but they worked it out evenly (yay, team work!). They traded verses, coming together when the timing was right to put a point on a feeling. The highlight of the set was the song Carter introduced with a story about an old married couple he witnessed in a restaurant, silently hating each other. Their voices alternated points of view, and the harmonies punctuated the dark humor and poignance in the lyrics. The song set the bar for the night.

B. Soika
www.loudvine.com

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