Free Moral Agents @ The Silent Movie Theatre

January 15th, 2009

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How often do you get to eat popcorn at a concert? Or gourmet cupcakes? Well, that’s what the audience was doing at the Silent Movie Theatre last night. It was the second concert of their month long live-music series and Free Moral Agents were performing a live score to the 1927 film Berlin: Symphony of a Great City. As soon as I entered the theatre I noticed the massive setup sprawled in front of the movie screen. Turn tables, keyboards, bass, more keyboards, a violin, a trumpet… are those maracas? Jeez, how many people were in this band, anyway?

By the time Free Moral Agents started, the theatre was pretty full. The band is a psychedlic-fusion creation by Ikey Owens (who you may know as the keyboardist for the Mars Volta). According to their Myspace, there are six full-time members. But I counted at least eleven people on stage. Not only was I impressed that they managed to fit into the modestly sized theatre, but I couldn’t even figure out what everyone’s exact role was in the band. There were just too many people!

With that many people playing music, you can imagine that it was an excellent sensory assault to the system. Their vocalist, Mendee Ichikawa, gave off a rich powerful sort of sound as she read lyrics from a small hand diary. She was wearing a yellow 1950’s-chic dress and often danced while images of 1920’s Berlin flickered on the screen. Ikey Owens often pointed and lead the group when he wasn’t grooving out on his keyboard (he was definitely working it last night). In fact, watching this giant band work together was often more of a show than the movie they were scoring.

Other highlights included touching violin/guitar duet to a scene of children going to school and when three more brass players joined the group halfway in to the show (increasing the band size to at least 14 people). I was also really into the blood pumping jazz-fusion trumpet-buster done to images of the busy Berlin streets of years gone by. At one moment Ichikawa sadly crooned, “You are flickering on the surface. You aren’t real.” As soon as she said that, I looked back at the movie, at the thousands of people living in Berlin a hundred years ago. All their images on screen seemed changed to me. How real were they?

Having a live score performed to a silent movie is a new experience for me. It gives audiences a chance to experience both music and film in radical way. It also changes the game for musicians too. And last night was a great time because of it. Free Moral Agents were a completely rockin, high energy group. They played loud groove-out psychedelica filled with soul. I’m really glad the Silent Movie Theatre decided to do this concert series.

Rachel K.
www.loudvine.com

Tom Verlaine @ The Silent Movie Theatre

January 8th, 2009

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I was in a pretty bad mood last night. My lame friends had flaked on me and I was awkward and alone outside of the Silent Movie Theatre. And it was cold too. Despite this, the excitement of the other waiting concertgoers was infectious.  Jimmy Rip and Tom Verlaine were going to be playing live with experimental silent films. Neat right? But wait, music at a movie theater? Wha?

The Silent Movie Theatre on Fairfax arranged this badass evening. Despite their name, they play a lot of artsy and cult movies. Everything from anime to exploitation flicks. Inside, the walls are covered with old school silver screen stars. The main theatre is cozy and comfortable, they even have pillows and couches in the front. It was a weird setting for a music concert, but a really cool setup. Basically, the theatre plays a collection of rare experimental silent films while Verlaine and Rip performed along with their own original scores.

Verlaine and Rip are not only amazingly talented musicians, they’ve been around for quite sometime. Rip is a producer/guitarist who’s worked with everyone from Debbie Harry to Mick Jagger. Verlaine, of course, also has a very impressive history, first starting as the front man for the legendary punk band Television, he’s been performing solo for almost thirty years. Young and old, he’s got a strong following. The Silent Movie Theatre was very, very sold out.

With just a few casual waves to the audience, Verlaine put the punk showmanship on the back burner. Instead, he and Rip put all energy into their music and the images on screen. The duo have been performing to these films about a dozen times in the last 10 years and you can tell that they are masters of their craft. Not just mere instrumental work, these guys made their axes sound like a seagulls caw or a motorcycle engine depending on the image.

On one hand it was a throwback to older times, on the other it was pretty badass. There was something engaging about their live, moody scores. The films themselves ranged from stereotypically artsy (French phrases saying, “You do not dream. It is a flower made of fire.”) to slapstick. The opening to “The Fall of the House of Usher” caused a collective “Ooooh” out of the audience followed by string sliding and creepy plucking. “The Life and Death of 9413, a Hollywood Extra” could go from ridiculous to tragic at the whim of a note. And the hands down best was “Ballet Mecanique.” It was a rock-out grand finale of shapes, trains, and dueling guitars.

Despite me being all by lonesome, it was a worthy experience. Punk legends making live music to artsy silent films. I was especially excited to hear that this evening was part of a month-long series. Every Wednesday night in January the Silent Movie Theatre is having live musicians perform with experimental movies. My flakey friends missed out on Tom Verlaine, but I didnt!

Rachel K.
www.loudvine.com

 
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